90 Molde, Bertil og Volmer Rosenkilde (red.): Thet Nøye Testamenth: Christiern II’s Nye Testamente, Wittenberg 1524. Med sprog- og boghistoriske Indledninger ved Bertil Molde og Volmer Rosenkilde, København: Rosenkilde og Baggers Forlag, 1950. Erik Petersson: Fyrste af Norden: en biogra?i om Christian 2, København: Politiken, 2018. Ramm, Isa: ‘Pompejus (Popius) Occo’, Biographisches Lexikon für Ostfriesland, BLO I. Aurich, 1993, 271-72. Reiter, Paul J.: Christiern II. Personlighed, Sjæleliv og Livsdrama, København: Erik Beck, 1942. Rupprich, Hans: Dürer - Schriftlicher Nachlass, I-II- III. Berlin: Deutcher Verein Für Kunstwissenschaft, 1956. Schauerte, Thomas Ulrich: Die Ehrenpforte Für Kaiser Maximilian I: Dürer und Altdorfer im Dienst des Herrschers, München/Munich/Berlin: Deutscher Kunstverlag, 2001. Schwarz Lausten, Martin: Christian 2. mellem paven og Luther: Tro og politik omkring ”den røde konge” i eksilet og i fangenskabet (1523-1559), København: Akademisk Forlag, 1995. Scocozza, Benito: Kongen og købekonen: om Christian 2. og Mor Sigbrit, København: Gad, 1992. Silver, Larry: Marketing Maximilian: The Visual Ideology of a Holy Roman Emperor, Princeton/ Oxford: Princeton University Press, 2008. Skov, Erik: Altertavlen I Viborg Søndre Sogns Kirke, Viborg: Viborg Søndre Sogns menighedsråd, 1986. Svarre, Anders: Christiern II i samtidens billedkunst, København, 1953. Trizna, Jazeps: Michel Sittow: Peintre revalais de l’école brugeoise (1468-1525/1526), Bruxelles/ Brussels: Centre National de Recherches ”Primitifs Flamands”, 1976. Weniger, Matthias: Sittow, Morros, Juan de Flandes: Drei Maler aus dem Norden am Hof Isabellas von Kastilien, Kiel: Ludwig, 2011. Weidema, Sytske og Anna Koopstra: Jan Gossart: The Documentary Evidence, Turnhout: Brepols, 2012. Venge, Mikael: ’To studier over problemer fra Christian II’s tid’, Historisk Tidsskrift, 14 (2), 1981, 27-68. Woodall, Joanna: ‘An Exemplary Consort: Antonis Mor’s Portrait of Mary Tudor’, Art History, 14 (2), 1991, 193-224. HANNE KOLIND POULSEN SENIORFORSKER, MAG.ART. DEN KONGELIGE KOBBERSTIKSAMLING STATENS MUSEUM FOR KUNST HANNE.KOLIND?SMK.DK ABSTRACT (UK) Christian II and Netherlandish Art Hanne Kolind Poulsen Christian II is the ?irst Danish king that to a great extent had himself portrayed. He chose the most famous artists of the time to ful?il his portrait commissions. I.e. the most renowned German and particularly Netherlandish renaissance artists such as Albrecht Dürer, Jan Gossart, Michiel Sittow, Bernard van Orley, Joos van Cleve, Quintin Metsys and not least Lucas Cranach the Elder. We know of around 40 portraits of him. Earlier kings, too, had used portraits in political contexts (in form of wedding portraits, donor portraits, etc.), but the article argues that in the case of Christian II for the ?irst time we are able to identify a speci?ic, political picture policy as regards portraits. Therefore, the many portraits were not a result

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